The atlas, by region.

The home office. Edinburgh permits, Calton Hill and Holyrood through Film Edinburgh and Historic Environment Scotland, drone airspace in central Edinburgh sorted in advance. East Lothian opens up Winton Castle and the coast at Seacliff inside an hour from town.

Post-industrial scale, architectural texture, and the locations that don't sit on every permit list. SECC, the Armadillo, the Kelpies, plus a working file of Glasgow neighbourhoods for street and exterior shoots. CAA airspace work in city-centre Glasgow handled.

The most cinematically distinct landscape in the UK and the most weather-volatile. We run shoots on Skye with weather windows planned weeks ahead and Plan A through D ready on the day. Accommodation on Skye in season books out months out. The bookings we hold stay changeable.

Where most agency briefs originate and where most UK-side production rolls. London crew on file across departments, with reach to the South West for coastal landscape briefs when the brief asks for English coastal rather than Scottish.

The Sydney office covers harbour, Blue Mountains, coastal NSW and regional. Working relationships with Exit, Finch, Sweetshop, Plaza and Scoundrel for inbound service work. MEAA-rate crew on file across the city and the regions. The local fixer desk runs out of the same office.

Beyond Sydney and NSW, we work by negotiation with local partner production companies in Melbourne, Brisbane and Perth, depending on the brief. We don't claim a postcode we don't run warm in. We do claim a network we can route a brief into without losing trust.